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Understanding African music -- Listen and learn: music made easy -- For future generations: Hugh Tracey and the International Library of African Music -- Sound of Africa -- Music of Africa -- Historical recordings by Hugh Tracey -- Soul safari series -- The Dhow Countries Music Academy: Zanzibar
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TRACKLIST VOLUME 10 NUMBER 2 • 2016
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Backmatter
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Marabi Nights: Jazz, 'Race' and Society in Early Apartheid South Africa. Christopher Ballantine. 2012. Pietermaritzburg: UKZN Press. 16 bw images, bibliography, index,
CD, 247pp.
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Highlife Saturday Night: Popular Music and Social Change in Urban Ghana. Nate Plageman. 2013. Bloomington: Indiana University Press. 30 figures, glossary,
discography, bibliography, index, 318 pp.
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Ugandan Music in the Marketing Era: The Branded Arena. David G. Pier. 2015. New York: Palgrave Macmillan. 8 images, 5 figures, 2 tables, index, 203pp.
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Musics of the Free State: Reflections on a Musical Past, Present, and Future. Martina Viljoen, ed. 2015. Zagreb: Croatian Musicological Society. 7 colour photographs, 2 maps,
9 tables, 28 music examples, index, 362pp.
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Poetry in Motion: 100 Years of Zanzibar's Nadi Ikhwan Safaa. Directed by Ron Mulvihill. Produced by Kelly Askew and Werner Graebner. DVD. 2016. Distributed
by Jahazi Media Gris-Gris Films. Subtitles in Arabic, English, French, Swahili. 71 minutes. Available at www.poetryinmotionfilm.com.
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Contributors to this issue
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Subscribe now!
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REASSESSING THE ZIMBABWEAN CHIPENDANI (Article withdrawn)
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CHIMURENGA RENAISSANCE: DOUBLE DOUBLENESS IN THE DIASPORIC MUSIC OF TENDAI MARAIRE
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NEGOTIATING MUSICAL CULTURES IN COLONIAL HYMNODY: ANALYSING LOCALISED HARMONISATIONS OF WESTERN HYMN TUNES
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African Music, Power and Being in Colonial Zimbabwe. Mhoze Chikowero. 2015. Bloomington and Indianapolis: Indiana University Press. 35 bw illustrations, bibliography, index, 346pp.
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PORTRAITS OF SAHARAWI MUSIC: WHEN CULTURAL PRESERVATION MEETS POLITICAL ACTIVISM
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PRESERVATION AND REVITALISATION OF THE ENDANGERED GĨKŨYŨ FLUTE
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MALE DANCERS OF SABAR-STARS OF A FEMALE TRADITION
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FAILED SHOWCASE OF EMPIRE?: THE GOLD COAST POLICE BAND, COLONIAL RECORD KEEPING, AND A 1947 TOUR OF GREAT BRITAIN
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"…THOSE WHO DID IT HAVE POWER...” MUSIC, HEALTH AND HEGEMONY IN TANZANIA IN THE CONTEXT OF HIV/AIDS
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African Music: Journal of the International Library of African Music, Vol. 10, No. 2 (2016)
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From the editor
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UMASKANDI IZIBONGO: SEMANTIC, PROSODIC AND MUSICAL DIMENSIONS OF VOICE IN ZULU POPULAR PRAISES
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Fishermen's songs
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Mama Sejlo singing Wayi jegba (Come and take the golden crown)
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