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J Kunnuji singing Dagbe dagbe (Wonderful and marvellous)
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J Kunnuji's composition, Wayi jegba
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J Kunnuji's composition, Dagbe dagbe
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Backmatter
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TRACKLIST VOLUME 10 NUMBER 3 2017
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"Hangriba.” Performed by the Shatta Boys, Cape Coast, Ghana.
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The Changing Faces of Aawambo Musical Arts. Minette Mans. 2017. Switzerland: Basel Afrika Bibliographien. 56 bw figures (photographs, sketches), 24 transcriptions, glossary, bibliography, index, 188pp.
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Contributors to this issue
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Subscribe now!
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First International Bow Music Conference Proceedings
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Understanding African music -- Listen and learn: music made easy -- For future generations: Hugh Tracey and the International Library of African Music -- Sound of Africa -- Music of Africa -- Historical recordings by Hugh Tracey -- ILAM and Ubuntu Publishing -- The Dhow Countries Music Academy: Zanzibar
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Staging Ghana: Artistry and Nationalism in State Dance Ensembles. Paul Schauert. 2015. Bloomington and Indianapolis: Indiana University Press, 29 online media examples at Ethnomusicology Multimedia Series, 15 figures, bibliography, index, 343 pp.
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African Drumming: The History and Continuity of African Drumming Traditions
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Oliver Mtukudzi Living Tuku Music in Zimbabwe. Jennifer W. Kyker. 2016. Bloomington and Indianapolis: Indiana University Press. 25 images, 3 transcriptions, bibliography, index, 290 pp.
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"CREATIVE ETHNOMUSICOLOGY” AND AFRICAN ART MUSIC: A CLOSE MUSICAL READING OF WOOD AND CLAY, KUNDI DREAMS AND UMRHUBHE GEESTE BY ANTHONY CAPLAN
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Kwaito's Promise: Music and the Aesthetics of Freedom in South Africa. Gavin Steingo. 2016. Chicago and London: University of Chicago Press. 23 bw figures (maps, transcriptions and photos), 2 tables, bibliography, filmography, index, 327pp.
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GUIDED SYNCRETISM: REPACKAGING BADAGRY-OGU MUSIC IN THE CONTEXT OF LAGOS' POSTCOLONIAL MODERNITY
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THE BUZZ AESTHETIC AND MANDE MUSIC: ACOUSTIC MASKS AND THE TECHNOLOGY OF ENCHANTMENT
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KNOWLEDGE TRANSFER: INDIGENOUS AFRICAN MUSIC IN THE SOUTH AFRICAN MUSIC CURRICULUM
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'YET NONE WITH TRUER FERVOUR SING': CORONATION SONG AND THE (DE)COLONIZATION OF AFRICAN CHORAL COMPOSITION
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APPROACHES TO THE ADAPTATION OF SHONA NGOMA STYLES IN ZIMBABWEAN POPULAR MUSIC
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METER, FEEL, AND PHRASING IN WEST AFRICAN BELL PATTERNS: THE EXAMPLE OF ASANTE KETE FROM GHANA
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From the editor
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IN A WORLD OF THEIR OWN: MEMORY AND IDENTITY IN THE FISHING SONGS OF A MIGRANT EWE COMMUNITY IN GHANA
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