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Jazz Cosmopolitanism in Accra: Five Musical Years in Ghana. Steven Feld. 2012. Durham, NC: Duke University Press. 328 pp.
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AIDS, Politics and Music in South Africa. Fraser G. McNeill. 2011. Cambridge: Cambridge University Press. 278 pp.
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Music Notation: A South African Guide. Christine Lucia. 2011. Pretoria: UNISA Press. 318 pp.
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Umm Kulthum: Artistic Agency and the Shaping of an Arab Legend, 1967-2007. Laura Lohman. 2010. Middle Town, CT: Wesleyan University Press. 229 pp.
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Sounding the Depths: Tradition and the Voices of History. 2011. Victor Grauer. Selfpublished via CreateSpace. Illustrations at http://soundingthedepths.blogspot.com/. 294pp.
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The trans-atlantic journey of Gumbé: where and why has it survived?
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Performing advocacy: women's music and dance in Dagbon, northern Ghana
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Musical Echoes: South African Women Thinking in Jazz. Carol Ann Muller and Sathima Bea Benjamin. 2011. Durham, NC: Duke University Press. 348 pp.
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Cultural Globalization and Music. African Artists in Transnational Networks. Nadia Kiwan and Ulrike Hanna Meinhof. 2011. Palgrave Macmillan. 272 pp.
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A modern tradition: the social history of the Zimbabwean Marimba
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Playing techniques of the nnanga of Buganda
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Travel on a song-the roots of Zanzibar taarab
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Kusamira: singing rituals of wellness in southern Uganda
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African Music, Vol. 9, No. 2 (2012)
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Editorial
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A woman can sing and dance but cannot dance with high leaps: musical performance of the Haya of Bukoba, Tanzania
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Annual subscription rates
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Publications of ILAM
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Tracklist
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Backmatter
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Music for the unseen: interaction between two realms during a Gnawa lila
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Sounding the Cape: Music, Identity and Politics in South Africa. Denis-Constant Martin. 2013. Somerset West, South Africa: African Minds. 444pp.
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Living the Hiplife: Celebrity and Entrepreneurship in Ghanaian Popular Music. Jesse Weaver Shipley. 2013. London and Durham, NC: Duke University Press. 329pp.
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The Dance of Politics: Gender, Performance, and Democratization in Malawi. Lisa Gilman. 2009. Philadelphia: Temple University Press. 252 pp.
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