|
Backmatter
|
|
ETHNOMUSICOLOGY, Journal of the Society for Ethnomusicology, Vol. II, No. 1—3 (January, May and September, 1958)
|
|
MUSIQUE CENTRE-AFRICAINE—Extrait du Volume “Afrique Equatoriale Francaise” de L’Encyclopédie Coloniale et Meritime—by Herbert Pepper, 20pp.
|
|
“MUSICAL INSTRUMENTS, HORNIMAN MUSEUM”, published by the London County Council, pp. 109., 16 plates
|
|
“PANORAMA GRAMMATICALE ZANDE” by Fr. Imco and Fr. Gero
|
|
List of Books and Pamphlets Received
|
|
Contributors to this number
|
|
Notes and News
|
|
Letters to the Editor
|
|
PRESCRIPTIVE AND DESCRIPTIVE MUSIC by CHARLES SEEGER
|
|
AFRICAN SONG SAMPLER. Antioch College, Yellow Springs, Ohio, United States of America. 1958
|
|
RHYTHMES DU MONDE—Le Bulletin des Missions. Revue trimesttielle, 32e année, 1958, Tome VI, No. 1, Nouvelle Série: Abbaye de St-Andres, Bruges, Belgium
|
|
New issues of I.L.A.M. records
|
|
Osborn Award 1958
|
|
Bequest of I.L.A.M. long playing records
|
|
International Library of African Music
|
|
I.L.A.M. recording in Swaziland (May 24th to April 3rd)
|
|
Report on the I.L.A.M. Nyasaland recording tour (May 7th to June, 1958)
|
|
International Folk Music Council
|
|
A.M.S. exhibition of African paintings
|
|
Music festivals in Africa: notes for the guidance of adjudicators
|
|
Wandering from pitch
|
|
African music within its social setting
|
|
A tribute to Ralph Vaughan Williams (1872-1958), Gustav Holst (1874-1934) and Percy Scholes (1877-1958)
|
