|
JUKWAA LA TAARAB - ZANZIBAR, by Issa Mgana, Mediafrica Books, Helsinki 1991, 10lpp, photos, charts, song texts, KiSwahili text.
|
|
MYTH, RITUAL AND KINGSHIP IN BUGANDA, by Benjamin C. Ray, Oxford University Press, New York, Oxford, 1991,239pp., illus., photos.
|
|
ZENTRALAFRIKA: MUSIKGESCHICHTE IN BILDERN, by Jos Gansemans and Barbara Schmidt-Wrenger, VEB Deutscher Verlag fur Musik, Leipzig, 1986, Band I, Musikethnologie, Lieferung 9, 210 pages, 238 pictures (partly in colour), map, musical transcriptions and other text illustrations, ISBN 3-370-00150-0.
|
|
CAPOEIRA, SAMBA, CANDOMBLÉ: AFRO-BRASILIANISCHE MUSIK IM RECÔNCAVO, BAHIA, by Tiago de Oliveira Pinto, Staatliche Museen Preußischer Kulturbesitz (Veröffentlichungen des Museums für Völkerkunde Berlin, Neue Folge
52, Abteilung Musikethnologie VII), Berlin, 1991, 264pp., ill., bibl., index.
|
|
AFRICAN MUSIC: A PAN-AFRICAN ANNOTATED BIBLIOGRAPHY, by Carol Lems-Dworkin, Hans Zell Publishers, London, 1991, xvii + 382pp, 2 indexes.
|
|
MUSIC IN HUMAN LIFE: ANTHROPOLOGICAL PERSPECTIVES ON MUSIC, by John E. Kaemmer, University of Texas Press, 1993, ISBN 0 292 74314 9, 245pp, b/w plates, musical examples, diagrams, glossary, index.
|
|
A HANDBOOK OF MUSICAL AND OTHER SOUND-PRODUCING INSTRUMENTS FROM EQUATORIAL GUINEA AND GABON, by Ã…ke Norborg, Musikmuseets, Stockholm, No 16, 1989, pp.469.
|
|
MAKING MUSIC: MUSICAL INSTRUMENTS IN ZIMBABWE PAST AND PRESENT, by Claire Jones, Academic Books, Harare, 1992, 183pp, photos, transcriptions, diagrams.
|
|
SOSIO-ETNIESE DANSE VAN DIE VENDA VROU, by Cora Bumett-van Tonder, HAUM, Pretoria, 1987, 155pp, 62 line drawings, 23 colour plates, music and dance transcriptions, Tshivenda glossary, index, Afrikaans text.
|
|
WEST AFRIKA: MUSIKGESCHICHTE IN BILDERN, by Gerhard Kubik, VEB Deutscher Verlag fur Musik, Leipzig, 1989, Band I, Musikethnologie, Lieferung 11, ed. Werner Bachmann, 222pp, illustrations, appendix, bibliography.
|
|
EXTENSIONEN AFR1KANISCHER KULTUREN IN BRASILIEN, by Gerhard Kubik, Alano, Edition Herodot, Aachen, 1991, German text.
|
|
MARABI NIGHTS: EARLY SOUTH AFRICAN JAZZ AND VAUDEVILLE, by Cristopher Ballantine, Ravan Press, Johannesburg, 1993, 1 l6pp, with cassette.
|
|
WEST AFRICAN POP ROOTS, by John Collins, Temple University Press, Philadelphia, 1992. - AFRICA O-YE!: A CELEBRATION OF AFRICAN MUSIC, by Graeme Ewens, Da Capo Press, New York, 1991. - BREAKOUT: PROFILES IN AFRICAN RHYTHM, by Gary Stewart, University of Chicago Press, 1992.
|
|
AFRICAN MUSIC: A BIBLIOGRAPHICAL GUIDE TO THE TRADITIONAL, POPULAR, ART, AND LITURGICAL MUSICS OF SUB-SAHARAN AFRICA, by John Gray, Greenwood Press, New York, 1991, xii + 499pp, 3 appendixes, 4 indexes.
|
|
THE SOUL OF MBIRA TWENTY YEARS ON:A RETROSPECT, Part 1: THE SOUL OF MBIRA: MUSIC AND TRADITIONS OF THE SHONA PEOPLE OF ZIMBABWE, by Paul Berliner, Univ. of Chicago Press, Chicago and London, 1994 (first published Univ. of California Press, Berkeley, 1978), 312pp, illustrations, transcriptions, appendices, index.
|
|
THE SOUL OF MBIRA TWENTY YEARS ON:A RETROSPECT, Part 2: THE SOUL OF MBIRA: MUSIC AND TRADITIONS OF THE SHONA PEOPLE OF ZIMBABWE, by Paul Berliner, Univ. of Chicago Press, Chicago and London, 1994 (first published Univ. of California Press, Berkeley, 1978), 312pp, illustrations, transcriptions, appendices, index.
|
|
MASKED MEN DANCING AND THE LORDSHIP OVER LAND: a review essay - MAKISINYAU MAPIKO: MASKENTRADITIONEN IN BANTU-SPRACHIGEN AFRIKA, by Gerhard Kubik, Munchen: Trickster Verlag, 1993.
|
|
MALAWIAN MUSIC: A FRAMEWORK FOR ANALYSIS, Gerhard Kubik, assisted by Moya Aliya Malamusi, Lidiya Malamusi and Donald Kachamba, Centre for Social Research and Department for Fine and Performing Arts, Chancellor College, University of Malawi, Zomba, 1987.
|
|
Stringed instrument traditions in southern Malawi
|
|
Sesotho music: a contemporary perspective
|
|
African methods of music education: some reflections
|
|
Fact, ideology and paradox: African elements in early Black South African Jazz and Vaudeville
|
|
Backmatter
|
|
NIGHTSONG: POWER AND PRACTICE IN SOUTH AFRICA, by Veit Erlmann, Chicago, London: University of Chicago Press 1996
|
