LIVENESS, MULTIFOCALITY, EAVESDROPPING IN ETHNOMUSICOLOGICAL FIELDWORK RESEARCH AT GHANAIAN FESTIVALS AND ROYAL FUNERALS

Nii-Dortey, Moses | 01/12/2020
Subject(s): Festivals, Ethics, Performance, South Africa, Audiences
Keywords(s): Liveness, Kplejoo Festival, Ghana, Royal Funeral, Funeral, Multifocality, Eavesdropping, African Music

Nii-Dortey, Moses | 01/12/2020
Subject(s): Festivals, Ethics, Performance, South Africa, Audiences
Keywords(s): Liveness, Kplejoo Festival, Ghana, Royal Funeral, Funeral, Multifocality, Eavesdropping, African Music
APPALACHIAN BLACK FIDDLING: HISTORY AND CREATIVITY

DjeDje, Jacqueline Cogdell | 01/12/2020
Subject(s): Old-time music, European Americans, African Americans, Country music, Musical instruments, Appalachian region
Keywords(s): United States, Appalachia, Fiddle (Instrument), Black Fiddling, Hillbilly Music, African Music

DjeDje, Jacqueline Cogdell | 01/12/2020
Subject(s): Old-time music, European Americans, African Americans, Country music, Musical instruments, Appalachian region
Keywords(s): United States, Appalachia, Fiddle (Instrument), Black Fiddling, Hillbilly Music, African Music
BEYOND NATIONHOOD: HAUL MUSIC FROM A POSTCOLONIAL PERSPECTIVE IN WESTERN SAHARA AND MAURITANIA

Amoros, Luis Gimenez | 01/12/2020
Subject(s): Nationalism, Postcolonialism, Decolonisation
Keywords(s): Western Sahara, Mauritania, Nationhood, Precolonial Past, Haul Music, Mobility, Trab el Bidan, Postcolonial Studies, African Music

Amoros, Luis Gimenez | 01/12/2020
Subject(s): Nationalism, Postcolonialism, Decolonisation
Keywords(s): Western Sahara, Mauritania, Nationhood, Precolonial Past, Haul Music, Mobility, Trab el Bidan, Postcolonial Studies, African Music