South Africa | AM WissKI

Subject Tag

South Africa

Subject Authority

LCSH Collection - Authorized Headings

Subject Url

http://id.loc.gov/authorities/subjects/sh85125452

Datasets using this subject

Farm visit GA 05.-07.03.2020

Farm visit Z 10.-12.03.2020

Farm visit L 19.-20.03.2020

Herd inspections Sachsen - Anhalt

Gellap lamb description

Farm visit B

Farm visit C

Farm visit K

Gellap-Ost, Keetmanshoop

Interview ES

Farm visit W Germany

Violence and Xenophobia in South Africa: Shakespeare, Thomas Mofolo's Chaka, and Welcome Msomi's uMabatha: the Zulu Macbeth

Shakespeare's Stratford and South Africa

South Africa: The White English-speaking Sensibility

Race, Post-Race, Shakespeare, and South Africa

Titus Andronicus: South Africa's Shakespeare

The sayings of Tsikinya-Chaka: Shakespeare in South Africa

Sher and Doran's Titus Andronicus (1995): Importing Shakespeare, Exporting South Afirca

The Tempest in South Africa: Multilingualism and our profit on't

South Africa in Shakespeare's "wide and universal theatre"

Whose Shakespeare? Early Black South African Engagement with Shakespeare

Shakespeare in South Africa: Alpha and 'Omega'

The Revelance of (South African) Renaissance Studies

The International Library of African Music

A hobbyist looks at Zulu and Xhosa songs

The Begu Zulu vertical flute

SOUND OF AFRICA SERIES. LP (33 1/3 r.p.m.), 12 in. records. The International Library of African Music, P.O. Box 138, Roodepoort, nr. Johannesburg, South Africa

"African music", a lecture given at Natal University

Problems of pitch, pattern and harmony in the ocarina music of the Venda

AFRICA, Music and Life of Today. Vol. 1. 45 r.p.m. EP, Columbia SEYJ 101 and 2. E.M.I. (South Africa) (Pty.) Ltd.

MUSIC OF AFRICA SERIES No. 17 No. 18 No. 19. All recorded and presented by Hugh Tracey. “More African Stories” - GALP. 1111; “Music from the Roadside - South Africa” - GALP. 1110; “Songs from the Roadside - Rhodesia” - GALP. 1113.

THE MUSIC OF AFRICA: WILD LIFE SERIES Nos. 1 and 2. Birds of the Kruger National Park. Recorded and introduced by Clem Haagner, edited by Hugh Tracey. 45 r.p.m. 7", XTR 1/7044 and XTR 2/7045. International Library of African Music, P.O. Box 138, Roodepoort, Nr. Johannesburg, Transvaal, South Africa.

Musical expeditions of the Venda

Venda note-names

MUSICAL COLONIALISM. In Africa Report for January 1963, Alan P. Merriam, the Music Editor, reviews three comercially published records of South African “Town music”.

African music from the point of view of the record industry. From a Special Correspondent of The Star, Johannesburg

PROFESSOR P. R. KIRBY. An excellent bibliography of the works of Professor Percival R. Kirby, a pioneer in the field of African music studies in South Africa, has recently been published by the Johannesburg Public Library, compiled by Valerie Bryer, B. Mus, as part of her fulfilment of the requirements for the Diploma in Librarianship.

THE LIFE AND WORK OF BENJAMIN TYAMZASHE, A CONTEMPORARY XHOSA COMPOSER, by Diedre D. Hansen. Occasional paper No. 11, Institute of Social and Economic Research, Rhodes University, Grahamstown, South Africa, 1968. Price 50 cents, pp. 33. Six musical illustrations.

"THE BANTU COMPOSERS OF SOUTHERN AFRICA”, by Yvonne Huskisson, South African Broadcasting Corporation, P.O. Box 8606, Johannesburg, South Africa; 1969; pp. 335, illus.

Xizambi friction-bow music of the Shangana-Tsonga

Shangana-Tsonga drum and bow rhythms

The original African mbira?

Possession music of the Shangana-Tsonga

SOUTH AFRICAN MUSIC ENCYCLOPEDIA. Volume II,E to I. Ed. by Jacques P. Malan. Cape Town; Oxford University Press; 1982, pp. 513, illus.. music.

Black South African urban music since the 1890's: some reminiscences of Alfred Assegai Kumalo (1879-1966)

MUSIC AT MMABANA CULTURAL CENTRE, P.O. Box X2170, Mafikeng, Bophuthatswana (South Africa). Achilles Mukasa Bukenya writes

AFRICAN STARS: STUDIES IN BLACK SOUTH AFRICAN PERFORMANCE, by Veit Erlmann, Chicago Studies in Ethnomusicology, edited by Philip V. Bohlman and Bruno Nettl.) Chicago and London: University of Chicago Press, 1991, xxi plus 214 pp., music examples, photos, bibliography, index.

MARABI NIGHTS: EARLY SOUTH AFRICAN JAZZ AND VAUDEVILLE, by Cristopher Ballantine, Ravan Press, Johannesburg, 1993, 1 l6pp, with cassette.

Fact, ideology and paradox: African elements in early Black South African Jazz and Vaudeville

NIGHTSONG: POWER AND PRACTICE IN SOUTH AFRICA, by Veit Erlmann, Chicago, London: University of Chicago Press 1996

The World of South African Music: A Reader. Lucia, Christine, editor. 2005. Cambridge Scholars press: Newcastle, UK. Includes List of musical Examples (xii- xiv), a List of Illustrations (xv-xvi), References, a List of Sources and an Index, 368 pp.

In Township Tonight: South Africa's Black City Music and Theatre, David B. Coplan, University Of Chicago Press; 2nd edition. 2008, 455 pages, Paperback: ISBN-10: 0226115674, ISBN-13: 978-0226115672.

The Flamboyant Rooster and other Tshivenda Song Stories, Edited by Jaco Kruger and Ina le Roux, Illustrated by Deon Coetzer, School of Music, North-West University, Potchefstroom: South Africa. 149 pages.

The hidden transcripts of sacred song in a South African coloured community

Focus: Music of South Africa, by Carol A. Muller, 2nd ed., Routledge, New York 2008 (1st ed. 2004), Focus on World Music Series, edited by Michael B. Bakan, 338 pp., 56 photographs, with audio CD.

Making the Changes: Jazz in South African Literature and Reportage. Michael Titlestad. 2004. Pretoria: University of South Africa Press. 275 pp. Paperback: ISBN-10: 186888-2918.

Parading respectability: the Christmas Bands Movement in the Western Cape, South Africa and the constitution of subjectivity.

AIDS, Politics and Music in South Africa. Fraser G. McNeill. 2011. Cambridge: Cambridge University Press. 278 pp.

Music Notation: A South African Guide. Christine Lucia. 2011. Pretoria: UNISA Press. 318 pp.

Musical Echoes: South African Women Thinking in Jazz. Carol Ann Muller and Sathima Bea Benjamin. 2011. Durham, NC: Duke University Press. 348 pp.

Sounding the Cape: Music, Identity and Politics in South Africa. Denis-Constant Martin. 2013. Somerset West, South Africa: African Minds. 444pp.

Musical Instruments of the Indigenous People of South Africa. Percival R. Kirby. 2013. (1st ed. OUP 1934, repr. 1953, 2nd ed. Witwatersrand University Press 1965), 3rd ed. Witwatersrand University Press (title updated from 'native races' ) 159 ills., map, xxxv, 400pp.

Contesting cultural meaning in a post-apartheid South African HIV/AIDS music event

Music and Social Change in South Africa: Maskanda Past and Present. Kathryn Olsen. 2014. Philadelphia: Temple University Press. 10 tables, 18 figures, index, 222pp.

Marabi Nights: Jazz, 'Race' and Society in Early Apartheid South Africa. Christopher Ballantine. 2012. Pietermaritzburg: UKZN Press. 16 bw images, bibliography, index, CD, 247pp.

Kwaito's Promise: Music and the Aesthetics of Freedom in South Africa. Gavin Steingo. 2016. Chicago and London: University of Chicago Press. 23 bw figures (maps, transcriptions and photos), 2 tables, bibliography, filmography, index, 327pp.

KNOWLEDGE TRANSFER: INDIGENOUS AFRICAN MUSIC IN THE SOUTH AFRICAN MUSIC CURRICULUM

Sylvia Bruinders, Parading Respectability: The Cultural and Moral Aesthetics of the Christmas Bands Movement in the Western Cape, South Africa

JAZZ IN SERVICE OF THE STRUGGLE: THE NEW BRIGHTON STORY

STUDY OF THE DINAKA PIPE DANCE OF THE PEDI PEOPLE IN SOUTH AFRICA

SOKKIE DANCING IN PRETORIA: POPULAR AFRIKAANS MUSIC, DANCE, AND IDENTITY

LIVENESS, MULTIFOCALITY, EAVESDROPPING IN ETHNOMUSICOLOGICAL FIELDWORK RESEARCH AT GHANAIAN FESTIVALS AND ROYAL FUNERALS

Kwaito Bodies: Remastering Space and Subjectivity in Post-Apartheid South Africa. Xavier Livorman, 2020. Durham: Duke University Press. 35 illustrations b&w, glossary, bibliography, index, 288pp.