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Ghana
Datasets with this tag
Juliana Agyei-Mensah's transcript, Ghana, February 22, 2021
Primus Nurudong's Ghana Zoom transcript, September 13, 2021
Stanley ole Neboo's Zoom meeting transcript on Kenya, January 31, 2021
Primus Nurudong's report on Ghana
A perspective on secondary effects of the spread of COVID-19 in emerging economies
Ghanaian debt statistics
Interview on post-independence Ghanaian political economy
Interview notes on mobile money usage in Ghana
Shares of Banks' Investments in Ghana
Average Commercial Banks Lending Rates in Ghana
Sectoral Distribution of Bank Credit
Central Bank Policy Rates
Gold Exports, Nigeria
Curencies, Nigeria
Modern trends in Ghana music
An African orchestra in Ghana
Organisation of music in Adangme society
AFRICAN MUSIC IN GHANA by J. H. KWABENA NKETIA. Pp. 148 including 30 pp. music transcription and 2 maps. Longmans, 1962.
Musical training in Tribal West Africa
The first American Music Study group in Ghana: an unofficial report
Takada drumming
The social mechanics of good music: a description of dance clubs among the Anlo Ewe-speaking people of Ghana
Three principles of timing in Anlo dance drumming
Towards understanding the play of atsimevu Atsiã
'Principles governing the construction of the Silimba, a xylophone type found among the Lozi of Zambia', by Atta Annan Mensah.'Ghanaian xylophone studies', by Mitchel Strumpf.'Oral notation of some West and Central African time-line patterns', by Gerhard Kubik. 'Fieldwork in African music', by John Blacking
Koo Nimo: a contemporary Ghanaian musician
Female Voices from an Ewe Dance-Drumming Community in Ghana: Our Music Has Become a Divine Spirit, James Bums, Surrey, England and Burlington, VT: Ashgate, 2009, 199 pp., DVD, hardbound: 978-0-7546-6495-6.
Drumming among the Akan and Anlo Ewe of Ghana: an introduction
Sounds of development? race, authenticity, and tradition among Dagara female musicians in Northwestern Ghana
Jazz Cosmopolitanism in Accra: Five Musical Years in Ghana. Steven Feld. 2012. Durham, NC: Duke University Press. 328 pp.
Performing advocacy: women's music and dance in Dagbon, northern Ghana
Living the Hiplife: Celebrity and Entrepreneurship in Ghanaian Popular Music. Jesse Weaver Shipley. 2013. London and Durham, NC: Duke University Press. 329pp.
Asante Ntahera Trumpets in Ghana: Culture, Tradition and Sound Barrage. Joseph S. Kaminski. 2012. Farnham, UK and Burlington, VT: Ashgate. CD, 37 bw ills., 27 music transcriptions, appendix, index, 226pp.
Ephraim Amu's "Bonwere Kenteŋwene": a celebration of Ghanaian traditional knowledge, wisdom, and artistry
Highlife Saturday Night: Popular Music and Social Change in Urban Ghana. Nate Plageman. 2013. Bloomington: Indiana University Press. 30 figures, glossary, discography, bibliography, index, 318 pp.
FAILED SHOWCASE OF EMPIRE?: THE GOLD COAST POLICE BAND, COLONIAL RECORD KEEPING, AND A 1947 TOUR OF GREAT BRITAIN
"Hangriba.” Performed by the Shatta Boys, Cape Coast, Ghana.
Staging Ghana: Artistry and Nationalism in State Dance Ensembles. Paul Schauert. 2015. Bloomington and Indianapolis: Indiana University Press, 29 online media examples at Ethnomusicology Multimedia Series, 15 figures, bibliography, index, 343 pp.
METER, FEEL, AND PHRASING IN WEST AFRICAN BELL PATTERNS: THE EXAMPLE OF ASANTE KETE FROM GHANA
IN A WORLD OF THEIR OWN: MEMORY AND IDENTITY IN THE FISHING SONGS OF A MIGRANT EWE COMMUNITY IN GHANA
STORYTELLING SONGS OF THE ÈWÈ-DÒMÈ OF GHANA
"SINGING THE HEALING": THE RITUALS OF THE TWELVE APOSTLES CHURCH IN GHANA
LIVENESS, MULTIFOCALITY, EAVESDROPPING IN ETHNOMUSICOLOGICAL FIELDWORK RESEARCH AT GHANAIAN FESTIVALS AND ROYAL FUNERALS
BRASS BAND MUSIC IN GHANA: THE INDIGENISATION OF EUROPEAN MILITARY MUSIC
Jazz Cosmopolitanism in Accra: Five Musical Years in Ghana
APPROACHES AND METHODS EMPLOYED IN REVITALISING THE SEPEREWA MUSICAL TRADITION IN GHANA
GENDERING MUSICAL DISCOURSE
