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Text International Library of African Music (ILAM) Making violence ordinary: radio, music and the Rwandan genocide McCoy, Jason Digital \| South Africa \| 30/11/2009 English Violence, Rwandan Genocide, Rwanda, 1994, Music, Radio, Central Africa	Further Info
Text International Library of African Music (ILAM) Recherche ethnomusicologique au Rwanda Gansemans, Jos Digital \| South Africa \| 30/11/1973 French Central Africa	Further Info
Text International Library of African Music (ILAM) Les membranophones des Luba-Shankadi Laurenty, J. S. Digital \| South Africa \| 01/08/1972 English Ethnomusicology, Music, Drum, Luba (African people), Musical instruments, Africa, Central Africa, Drum music	Further Info
Text International Library of African Music (ILAM) Les cordophones des Luba-Shankadi Laurenty, J. S. Digital \| South Africa \| 07/07/1971 French Music, Stringed instruments, Luba (African people), Africa, Central Africa	Further Info
Text International Library of African Music (ILAM) The musical dimension of perception in the upper Congo, Zae Carrington, John F. Digital \| South Africa \| 07/07/1971 English Ethnomusicology, Music, Tone color (Music), Africa, Central Africa	Further Info
Text International Library of African Music (ILAM) Zande harp music Giorgetti, Filiberto Digital \| South Africa \| 21/06/1965 English Ethnomusicology, Harp, Music, Musical instruments, Zande (African people), Africa, Central Africa	Further Info
Text International Library of African Music (ILAM) LE KALINGA, Tambour Enseigne du royaume et de la dynastie des rois Banyiginya du Rwanda, by Marcel Pauwels, W. F.; pp. 221-256, 17 illustrations and one map. 2. LA MUSIQUE ET LES INSTRUMENTS de la Musique des Noirs de la region de Baudoinville (Congo), by Joseph Weghsteen, W. F.; pp. 85-112, 25 illust. and 15 songs. Both reprints from The Annals of the Pontifical Missionary Museum of Ethnology, Vatican City, Vol. XXVI, 1962, and Vol. XXVIII, 1964, respectively. No price given. Brother Basil Digital \| South Africa \| 21/06/1965 English Central Africa	Further Info
Text International Library of African Music (ILAM) “MUSIC IN RWANDA", a contribution to the Ethnomusicology of Central Africa by Dr. ROBERT GUNTHER. Tervuren, Belgium, 1964. Kirby, Percival R. Digital \| South Africa \| 21/06/1965 English Ethnomusicology, Central Africa	Further Info
Text International Library of African Music (ILAM) Harp music of the Azande and related peoples in the Central African Republic (Part 1 - Horizontal harp playing) Kubik, Gerhard Digital \| South Africa \| 20/06/1964 English Ethnomusicology, Harp, Music, Musical instruments, Zande (African people), Africa, Central Africa	Further Info
Text International Library of African Music (ILAM) MUSIK IN RWANDA by ROBERT GUENTHER. Musee Royal de L’Afrique Centrale, Tervuren, Belgique, Annales — Serie IN-80 Sciences Humaines — No. 50, 1964. Digital \| South Africa \| 20/06/1964 English Central Africa, Music	Further Info
Text International Library of African Music (ILAM) Musical training in Tribal West Africa Smith, Edna M. Digital \| South Africa \| 16/05/1962 English Music, Ashanti (African people), Ethnomusicology, Folklore	Further Info
Text Travelling Knowledge and Transtextuality. African Sources in Shakespearean Drama If Someone Does Good to You, You Should Do Good in Return Radin, Paul Princeton University Press* Digital \| United States of America \| 01/01/2015 Ashanti (African people), Tales	Further Info
Text Travelling Knowledge and Transtextuality. African Sources in Shakespearean Drama Why You Should Let Your Kinsman Accompany You When He Asks to Go Along Radin, Paul Princeton University Press* Digital \| United States of America \| 01/01/2015 Ashanti (African people), Tales	Further Info
Text Travelling Knowledge and Transtextuality. African Sources in Shakespearean Drama Why It Is That the Elders Say We Should Not Repeat Sleeping-Mat Confidences Radin, Paul Princeton University Press* Digital \| United States of America \| 01/01/2015 Ashanti (African people), Tales	Further Info
Text Travelling Knowledge and Transtextuality. African Sources in Shakespearean Drama How It Came About That Children Were First Whipped Radin, Paul Princeton University Press* Digital \| United States of America \| 01/01/2015 Ashanti (African people), Tales	Further Info
Text Travelling Knowledge and Transtextuality. African Sources in Shakespearean Drama Why a Girl Should Marry Him to Whom She is Given in Marriage Radin, Paul Princeton University Press* Digital \| United States of America \| 01/01/2015 Ashanti (African people), Tales	Further Info
Text Travelling Knowledge and Transtextuality. African Sources in Shakespearean Drama How It Came About That One Person Does Not Reveal the Origin from Which Another Person Comes Radin, Paul Princeton University Press* Digital \| United States of America \| 01/01/2015 Ashanti (African people), Tales	Further Info
Text Travelling Knowledge and Transtextuality. African Sources in Shakespearean Drama How Contradiction Came to the Ashanti Radin, Paul Princeton University Press* Digital \| United States of America \| 01/01/2015 Ashanti (African people), Tales	Further Info
Text Travelling Knowledge and Transtextuality. African Sources in Shakespearean Drama How Kwaku Ananse Got Aso in Marriage Radin, Paul Princeton University Press* Digital \| United States of America \| 01/01/2015 Ashanti (African people), Tales	Further Info
Text Travelling Knowledge and Transtextuality. African Sources in Shakespearean Drama How It Came About That the Hinder Part of Kwaku Ananse the Spider Became Big, at the Expense of His Head, Which Is Small Radin, Paul Princeton University Press* Digital \| United States of America \| 01/01/2015 Ashanti (African people), Tales	Further Info
Text Travelling Knowledge and Transtextuality. African Sources in Shakespearean Drama How It Came About That We Shall Always See Okra the Cat Lying on a Velvet Cushion, While Okraman the Dog Sleeps Among the Ashes of the Kitchen Fire Radin, Paul Princeton University Press* Digital \| United States of America \| 01/01/2015 Ashanti (African people), Tales	Further Info
Text Travelling Knowledge and Transtextuality. African Sources in Shakespearean Drama How Abosom, the Lesser Gods, Came into the World Radin, Paul Princeton University Press* Digital \| United States of America \| 01/01/2015 Ashanti (African people), Tales	Further Info
Text Travelling Knowledge and Transtextuality. African Sources in Shakespearean Drama How Spider Read the Sky-God's Thoughts Radin, Paul Princeton University Press* Digital \| United States of America \| 01/01/2015 Ashanti (African people), Tales	Further Info
Text Travelling Knowledge and Transtextuality. African Sources in Shakespearean Drama How Diseases Came to the Ashanti Radin, Paul Princeton University Press* Digital \| United States of America \| 01/01/2015 Ashanti (African people), Tales	Further Info
Text Travelling Knowledge and Transtextuality. African Sources in Shakespearean Drama How Spider Obtained the Sky-God's Stories Radin, Paul Princeton University Press* Digital \| United States of America \| 01/01/2015 Ashanti (African people), Tales	Further Info

Making violence ordinary: radio, music and the Rwandan genocide

Recherche ethnomusicologique au Rwanda

Les membranophones des Luba-Shankadi

Les cordophones des Luba-Shankadi

The musical dimension of perception in the upper Congo, Zae

Zande harp music

“MUSIC IN RWANDA", a contribution to the Ethnomusicology of Central Africa by Dr. ROBERT GUNTHER. Tervuren, Belgium, 1964.

Harp music of the Azande and related peoples in the Central African Republic (Part 1 - Horizontal harp playing)

MUSIK IN RWANDA by ROBERT GUENTHER. Musee Royal de L’Afrique Centrale, Tervuren, Belgique, Annales — Serie IN-80 Sciences Humaines — No. 50, 1964.

Musical training in Tribal West Africa

If Someone Does Good to You, You Should Do Good in Return

Why You Should Let Your Kinsman Accompany You When He Asks to Go Along

Why It Is That the Elders Say We Should Not Repeat Sleeping-Mat Confidences

How It Came About That Children Were First Whipped

Why a Girl Should Marry Him to Whom She is Given in Marriage

How It Came About That One Person Does Not Reveal the Origin from Which Another Person Comes

How Contradiction Came to the Ashanti

How Kwaku Ananse Got Aso in Marriage

How It Came About That the Hinder Part of Kwaku Ananse the Spider Became Big, at the Expense of His Head, Which Is Small

How It Came About That We Shall Always See Okra the Cat Lying on a Velvet Cushion, While Okraman the Dog Sleeps Among the Ashes of the Kitchen Fire

How Abosom, the Lesser Gods, Came into the World

How Spider Read the Sky-God's Thoughts

How Diseases Came to the Ashanti

How Spider Obtained the Sky-God's Stories