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Text International Library of African Music (ILAM) African Music, Power, and Being in Colonial Zimbabwe. Mhoze Chikowero, 2015. Bloomington, Indiana: University of Indiana Press. 35 illustrations b & w, bibliography, index, 346 pp.Mohebbi, SiavashDigital | South Africa | 28/02/2022 English Colonisation, Colonies, Music |
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Text International Library of African Music (ILAM) BRASS BAND MUSIC IN GHANA: THE INDIGENISATION OF EUROPEAN MILITARY MUSICDordzro, John-DoeDigital | South Africa | 22/11/2020 English Brass instruments, Culture, Brass bands, Musical instruments, Colonies, Colonisation |
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Text International Library of African Music (ILAM) 'YET NONE WITH TRUER FERVOUR SING': CORONATION SONG AND THE (DE)COLONIZATION OF AFRICAN CHORAL COMPOSITIONLucia, ChristineDigital | South Africa | 01/11/2017 English Harmony, Tonality, Decolonisation, Choral music, Colonisation, Colonies |
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Text International Library of African Music (ILAM) African Music, Power and Being in Colonial Zimbabwe. Mhoze Chikowero. 2015. Bloomington and Indianapolis: Indiana University Press. 35 bw illustrations, bibliography, index, 346pp.Vambe, Maurice TaonezviDigital | South Africa | 01/11/2016 English Colonies, Colonisation |
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Text International Library of African Music (ILAM) Musical training in Tribal West AfricaSmith, Edna M.Digital | South Africa | 16/05/1962 English Music, Ashanti (African people), Ethnomusicology, Folklore |
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Text International Library of African Music (ILAM) The religious element in Mau MauLeakey, L. S. B.Digital | South Africa | 01/12/1954 English Hymns, Race relations, Kikuyu (African people), Ethnomusicology, Religion, Colonies, Colonisation |
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Text International Library of African Music (ILAM) Kenya's answer to the Mau Mau challengeAlport, C. J. M.Digital | South Africa | 01/12/1954 English Race relations, History, Ethnomusicology, Colonies, Colonisation |
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Text Travelling Knowledge and Trans*textuality. African Sources in Shakespearean Drama If Someone Does Good to You, You Should Do Good in ReturnRadin, PaulPrinceton University Press Digital | United States of America | 01/01/2015 Ashanti (African people), Tales |
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Text Travelling Knowledge and Trans*textuality. African Sources in Shakespearean Drama Why You Should Let Your Kinsman Accompany You When He Asks to Go AlongRadin, PaulPrinceton University Press Digital | United States of America | 01/01/2015 Ashanti (African people), Tales |
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Text Travelling Knowledge and Trans*textuality. African Sources in Shakespearean Drama Why It Is That the Elders Say We Should Not Repeat Sleeping-Mat ConfidencesRadin, PaulPrinceton University Press Digital | United States of America | 01/01/2015 Ashanti (African people), Tales |
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Text Travelling Knowledge and Trans*textuality. African Sources in Shakespearean Drama How It Came About That Children Were First WhippedRadin, PaulPrinceton University Press Digital | United States of America | 01/01/2015 Ashanti (African people), Tales |
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Text Travelling Knowledge and Trans*textuality. African Sources in Shakespearean Drama Why a Girl Should Marry Him to Whom She is Given in MarriageRadin, PaulPrinceton University Press Digital | United States of America | 01/01/2015 Ashanti (African people), Tales |
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Text Travelling Knowledge and Trans*textuality. African Sources in Shakespearean Drama How It Came About That One Person Does Not Reveal the Origin from Which Another Person ComesRadin, PaulPrinceton University Press Digital | United States of America | 01/01/2015 Ashanti (African people), Tales |
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Text Travelling Knowledge and Trans*textuality. African Sources in Shakespearean Drama How Contradiction Came to the AshantiRadin, PaulPrinceton University Press Digital | United States of America | 01/01/2015 Ashanti (African people), Tales |
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Text Travelling Knowledge and Trans*textuality. African Sources in Shakespearean Drama How Kwaku Ananse Got Aso in MarriageRadin, PaulPrinceton University Press Digital | United States of America | 01/01/2015 Ashanti (African people), Tales |
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Text Travelling Knowledge and Trans*textuality. African Sources in Shakespearean Drama How It Came About That the Hinder Part of Kwaku Ananse the Spider Became Big, at the Expense of His Head, Which Is SmallRadin, PaulPrinceton University Press Digital | United States of America | 01/01/2015 Ashanti (African people), Tales |
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Text Travelling Knowledge and Trans*textuality. African Sources in Shakespearean Drama How It Came About That We Shall Always See Okra the Cat Lying on a Velvet Cushion, While Okraman the Dog Sleeps Among the Ashes of the Kitchen FireRadin, PaulPrinceton University Press Digital | United States of America | 01/01/2015 Ashanti (African people), Tales |
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Text Travelling Knowledge and Trans*textuality. African Sources in Shakespearean Drama How Abosom, the Lesser Gods, Came into the WorldRadin, PaulPrinceton University Press Digital | United States of America | 01/01/2015 Ashanti (African people), Tales |
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Text Travelling Knowledge and Trans*textuality. African Sources in Shakespearean Drama How Spider Read the Sky-God's ThoughtsRadin, PaulPrinceton University Press Digital | United States of America | 01/01/2015 Ashanti (African people), Tales |
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Text Travelling Knowledge and Trans*textuality. African Sources in Shakespearean Drama How Diseases Came to the AshantiRadin, PaulPrinceton University Press Digital | United States of America | 01/01/2015 Ashanti (African people), Tales |
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Text Travelling Knowledge and Trans*textuality. African Sources in Shakespearean Drama How Spider Obtained the Sky-God's StoriesRadin, PaulPrinceton University Press Digital | United States of America | 01/01/2015 Ashanti (African people), Tales |
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Text The political economy of monetary and financial dependency: West African policy space compared Sovereign Bond Contracts, SenegalKoddenbrock, KaiDigital | Senegal | 01/01/2022 English Bonds, West Africa |
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Text The political economy of monetary and financial dependency: West African policy space compared Historical statistics on Senegal public financeKoddenbrock, KaiDigital | Senegal | 01/01/2022 English Bonds, Debt, Public finance, West Africa |
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