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Text International Library of African Music (ILAM) Musical training in Tribal West Africa Smith, Edna M. Digital \| South Africa \| 16/05/1962 English Music, Ashanti (African people), Ethnomusicology, Folklore	Further Info
Text International Library of African Music (ILAM) The influence of the west African songs of Derision in the new world van Dam, Theodore Digital \| South Africa \| 01/12/1954 English Ethnomusicology, West Indies, Music, Blues (Music), Calypso (Music), Jazz, Africa, West Africa	Further Info
Text Travelling Knowledge and Transtextuality. African Sources in Shakespearean Drama If Someone Does Good to You, You Should Do Good in Return Radin, Paul Princeton University Press* Digital \| United States of America \| 01/01/2015 Ashanti (African people), Tales	Further Info
Text Travelling Knowledge and Transtextuality. African Sources in Shakespearean Drama Why You Should Let Your Kinsman Accompany You When He Asks to Go Along Radin, Paul Princeton University Press* Digital \| United States of America \| 01/01/2015 Ashanti (African people), Tales	Further Info
Text Travelling Knowledge and Transtextuality. African Sources in Shakespearean Drama Why It Is That the Elders Say We Should Not Repeat Sleeping-Mat Confidences Radin, Paul Princeton University Press* Digital \| United States of America \| 01/01/2015 Ashanti (African people), Tales	Further Info
Text Travelling Knowledge and Transtextuality. African Sources in Shakespearean Drama How It Came About That Children Were First Whipped Radin, Paul Princeton University Press* Digital \| United States of America \| 01/01/2015 Ashanti (African people), Tales	Further Info
Text Travelling Knowledge and Transtextuality. African Sources in Shakespearean Drama Why a Girl Should Marry Him to Whom She is Given in Marriage Radin, Paul Princeton University Press* Digital \| United States of America \| 01/01/2015 Ashanti (African people), Tales	Further Info
Text Travelling Knowledge and Transtextuality. African Sources in Shakespearean Drama How It Came About That One Person Does Not Reveal the Origin from Which Another Person Comes Radin, Paul Princeton University Press* Digital \| United States of America \| 01/01/2015 Ashanti (African people), Tales	Further Info
Text Travelling Knowledge and Transtextuality. African Sources in Shakespearean Drama How Contradiction Came to the Ashanti Radin, Paul Princeton University Press* Digital \| United States of America \| 01/01/2015 Ashanti (African people), Tales	Further Info
Text Travelling Knowledge and Transtextuality. African Sources in Shakespearean Drama How Kwaku Ananse Got Aso in Marriage Radin, Paul Princeton University Press* Digital \| United States of America \| 01/01/2015 Ashanti (African people), Tales	Further Info
Text Travelling Knowledge and Transtextuality. African Sources in Shakespearean Drama How It Came About That the Hinder Part of Kwaku Ananse the Spider Became Big, at the Expense of His Head, Which Is Small Radin, Paul Princeton University Press* Digital \| United States of America \| 01/01/2015 Ashanti (African people), Tales	Further Info
Text Travelling Knowledge and Transtextuality. African Sources in Shakespearean Drama How It Came About That We Shall Always See Okra the Cat Lying on a Velvet Cushion, While Okraman the Dog Sleeps Among the Ashes of the Kitchen Fire Radin, Paul Princeton University Press* Digital \| United States of America \| 01/01/2015 Ashanti (African people), Tales	Further Info
Text Travelling Knowledge and Transtextuality. African Sources in Shakespearean Drama How Abosom, the Lesser Gods, Came into the World Radin, Paul Princeton University Press* Digital \| United States of America \| 01/01/2015 Ashanti (African people), Tales	Further Info
Text Travelling Knowledge and Transtextuality. African Sources in Shakespearean Drama How Spider Read the Sky-God's Thoughts Radin, Paul Princeton University Press* Digital \| United States of America \| 01/01/2015 Ashanti (African people), Tales	Further Info
Text Travelling Knowledge and Transtextuality. African Sources in Shakespearean Drama How Diseases Came to the Ashanti Radin, Paul Princeton University Press* Digital \| United States of America \| 01/01/2015 Ashanti (African people), Tales	Further Info
Text Travelling Knowledge and Transtextuality. African Sources in Shakespearean Drama How Spider Obtained the Sky-God's Stories Radin, Paul Princeton University Press* Digital \| United States of America \| 01/01/2015 Ashanti (African people), Tales	Further Info
Bibliography Humanities for Humanitarians. An Experiment in the Public Implications of Multiple Ontology Chapter Six: Camps de réfugiés. Refugee Studies Glasman, Joël Digital \| Germany \| 17/01/2024 English, French Refugees, Camps, Humanities	Further Info
Audio Beyond the "Digital Return": "New Heritage/s," Sustainability, and the Decolonisation of Music Archives in South Africa, Kenya, and Ghana DECCA Akyikyiri Wasem Ye Mo Bo Kojo Seido's Band DECCA, Ghana Broadcasting Corporation Gramophone Library Analog \| Ghana \| 01/01/1962 Twi Ethnomusicology, Blues (Music), Twi language	Further Info
Audio Beyond the "Digital Return": "New Heritage/s," Sustainability, and the Decolonisation of Music Archives in South Africa, Kenya, and Ghana DECCA Obiako Ye Mmobo D. O. Willie's Band DECCA, Ghana Broadcasting Corporation Gramophone Library Analog \| Ghana \| 01/01/1962 Twi Ethnomusicology, Blues (Music), Twi language	Further Info
Audio Beyond the "Digital Return": "New Heritage/s," Sustainability, and the Decolonisation of Music Archives in South Africa, Kenya, and Ghana DECCA Nkrumah Woe Wodo Kwasi Gatse's Band DECCA, Ghana Broadcasting Corporation Gramophone Library Analog \| Ghana \| 01/01/1962 Ewe Ethnomusicology, Blues (Music)	Further Info
Audio Beyond the "Digital Return": "New Heritage/s," Sustainability, and the Decolonisation of Music Archives in South Africa, Kenya, and Ghana DECCA Wo Ga Deke Menye Towo-o Kwasi Gatse's Band DECCA, Ghana Broadcasting Corporation Gramophone Library Analog \| Ghana \| 01/01/1962 Ewe Ethnomusicology, Blues (Music), Ewe language	Further Info
Audio Beyond the "Digital Return": "New Heritage/s," Sustainability, and the Decolonisation of Music Archives in South Africa, Kenya, and Ghana DECCA Me Ble Me Ble Kwasi Gatse's Band DECCA, Ghana Broadcasting Corporation Gramophone Library Analog \| Ghana \| 01/01/1962 Ewe Ethnomusicology, Blues (Music), Ewe language	Further Info
Audio Beyond the "Digital Return": "New Heritage/s," Sustainability, and the Decolonisation of Music Archives in South Africa, Kenya, and Ghana DECCA Ame Dzro Me Nye Kwasi Gatse's Band DECCA, Ghana Broadcasting Corporation Gramophone Library Analog \| Ghana \| 01/01/1962 Ewe Ethnomusicology, Blues (Music), Ewe language	Further Info
Audio Beyond the "Digital Return": "New Heritage/s," Sustainability, and the Decolonisation of Music Archives in South Africa, Kenya, and Ghana DECCA Anoma Fa Me Ko E. K.'s Band DECCA, Ghana Broadcasting Corporation Gramophone Library Analog \| Ghana \| 01/01/1962 Twi Ethnomusicology, Blues (Music), Twi language	Further Info
Audio Beyond the "Digital Return": "New Heritage/s," Sustainability, and the Decolonisation of Music Archives in South Africa, Kenya, and Ghana DECCA Zododo Willie's Band DECCA, Ghana Broadcasting Corporation Gramophone Library Analog \| Ghana \| 01/01/1962 Ewe Ethnomusicology, Blues (Music), Ewe language	Further Info

Musical training in Tribal West Africa

The influence of the west African songs of Derision in the new world

If Someone Does Good to You, You Should Do Good in Return

Why You Should Let Your Kinsman Accompany You When He Asks to Go Along

Why It Is That the Elders Say We Should Not Repeat Sleeping-Mat Confidences

How It Came About That Children Were First Whipped

Why a Girl Should Marry Him to Whom She is Given in Marriage

How It Came About That One Person Does Not Reveal the Origin from Which Another Person Comes

How Contradiction Came to the Ashanti

How Kwaku Ananse Got Aso in Marriage

How It Came About That the Hinder Part of Kwaku Ananse the Spider Became Big, at the Expense of His Head, Which Is Small

How It Came About That We Shall Always See Okra the Cat Lying on a Velvet Cushion, While Okraman the Dog Sleeps Among the Ashes of the Kitchen Fire

How Abosom, the Lesser Gods, Came into the World

How Spider Read the Sky-God's Thoughts

How Diseases Came to the Ashanti

How Spider Obtained the Sky-God's Stories

Chapter Six: Camps de réfugiés. Refugee Studies

Akyikyiri Wasem Ye Mo Bo

Obiako Ye Mmobo

Nkrumah Woe Wodo

Wo Ga Deke Menye Towo-o

Me Ble Me Ble

Ame Dzro Me Nye

Anoma Fa Me Ko

Zododo