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Text International Library of African Music (ILAM) APPALACHIAN BLACK FIDDLING: HISTORY AND CREATIVITY DjeDje, Jacqueline Cogdell Digital \| South Africa \| 01/12/2020 English Old-time music, European Americans, African Americans, Country music, Musical instruments, Appalachian region	Further Info
Text International Library of African Music (ILAM) Sounds of Muziki wa Injili: Temporal and Spatial Aesthetics of Contemporary - Church Music in Dar Es Salaam, Tanzania. Imani Sanga. 2010. Saarbrucken, Germany: Lap Lambert Academic Publishing. 231 pp. photos, transcriptions, ISBN 978-3-8383-6325-7. Jorritsma, Marie Digital \| South Africa \| 30/11/2010 English Church music, Aesthetics	Further Info
Text International Library of African Music (ILAM) Bemba music. Extract from a lecture by Cajetan Lunsonga (Given at the Mindolo, All-African Music Conference 1965) Lunsonga, Cajetan Digital \| South Africa \| 21/06/1965 English Church music, Music, Bemba (African people), Ethnomusicology	Further Info
Text International Library of African Music (ILAM) Music in Nigeria Edet, Edna M. Digital \| South Africa \| 20/06/1964 English Church music, Music, Popular music, Ethnomusicology	Further Info
Text International Library of African Music (ILAM) Impressions of African Church music Kauffman, Robert A. Digital \| South Africa \| 20/06/1964 English Ethnomusicology, Church music, Hymns, Africa	Further Info
Text International Library of African Music (ILAM) Musical training in Tribal West Africa Smith, Edna M. Digital \| South Africa \| 16/05/1962 English Music, Ashanti (African people), Ethnomusicology, Folklore	Further Info
Text International Library of African Music (ILAM) Changing times Rhodes, Willard Digital \| South Africa \| 30/11/1959 English Ethnomusicology, Church music, Music, Africa	Further Info
Text International Library of African Music (ILAM) Music in African churches Lury, Canon E. E. Digital \| South Africa \| 30/11/1956 English Ethnomusicology, Church music, Gregorian chants, Pentatonic scales, Africa, Musical ability	Further Info
Text International Library of African Music (ILAM) Notes on Canon Lury's article Tracey, Hugh Digital \| South Africa \| 30/11/1956 English Ethnomusicology, Church music, Gregorian chants, Africa, Musical intervals and scales	Further Info
Text Travelling Knowledge and Transtextuality. African Sources in Shakespearean Drama If Someone Does Good to You, You Should Do Good in Return Radin, Paul Princeton University Press* Digital \| United States of America \| 01/01/2015 Ashanti (African people), Tales	Further Info
Text Travelling Knowledge and Transtextuality. African Sources in Shakespearean Drama Why You Should Let Your Kinsman Accompany You When He Asks to Go Along Radin, Paul Princeton University Press* Digital \| United States of America \| 01/01/2015 Ashanti (African people), Tales	Further Info
Text Travelling Knowledge and Transtextuality. African Sources in Shakespearean Drama Why It Is That the Elders Say We Should Not Repeat Sleeping-Mat Confidences Radin, Paul Princeton University Press* Digital \| United States of America \| 01/01/2015 Ashanti (African people), Tales	Further Info
Text Travelling Knowledge and Transtextuality. African Sources in Shakespearean Drama How It Came About That Children Were First Whipped Radin, Paul Princeton University Press* Digital \| United States of America \| 01/01/2015 Ashanti (African people), Tales	Further Info
Text Travelling Knowledge and Transtextuality. African Sources in Shakespearean Drama Why a Girl Should Marry Him to Whom She is Given in Marriage Radin, Paul Princeton University Press* Digital \| United States of America \| 01/01/2015 Ashanti (African people), Tales	Further Info
Text Travelling Knowledge and Transtextuality. African Sources in Shakespearean Drama How It Came About That One Person Does Not Reveal the Origin from Which Another Person Comes Radin, Paul Princeton University Press* Digital \| United States of America \| 01/01/2015 Ashanti (African people), Tales	Further Info
Text Travelling Knowledge and Transtextuality. African Sources in Shakespearean Drama How Contradiction Came to the Ashanti Radin, Paul Princeton University Press* Digital \| United States of America \| 01/01/2015 Ashanti (African people), Tales	Further Info
Text Travelling Knowledge and Transtextuality. African Sources in Shakespearean Drama How Kwaku Ananse Got Aso in Marriage Radin, Paul Princeton University Press* Digital \| United States of America \| 01/01/2015 Ashanti (African people), Tales	Further Info
Text Travelling Knowledge and Transtextuality. African Sources in Shakespearean Drama How It Came About That the Hinder Part of Kwaku Ananse the Spider Became Big, at the Expense of His Head, Which Is Small Radin, Paul Princeton University Press* Digital \| United States of America \| 01/01/2015 Ashanti (African people), Tales	Further Info
Text Travelling Knowledge and Transtextuality. African Sources in Shakespearean Drama How It Came About That We Shall Always See Okra the Cat Lying on a Velvet Cushion, While Okraman the Dog Sleeps Among the Ashes of the Kitchen Fire Radin, Paul Princeton University Press* Digital \| United States of America \| 01/01/2015 Ashanti (African people), Tales	Further Info
Text Travelling Knowledge and Transtextuality. African Sources in Shakespearean Drama How Abosom, the Lesser Gods, Came into the World Radin, Paul Princeton University Press* Digital \| United States of America \| 01/01/2015 Ashanti (African people), Tales	Further Info
Text Travelling Knowledge and Transtextuality. African Sources in Shakespearean Drama How Spider Read the Sky-God's Thoughts Radin, Paul Princeton University Press* Digital \| United States of America \| 01/01/2015 Ashanti (African people), Tales	Further Info
Text Travelling Knowledge and Transtextuality. African Sources in Shakespearean Drama How Diseases Came to the Ashanti Radin, Paul Princeton University Press* Digital \| United States of America \| 01/01/2015 Ashanti (African people), Tales	Further Info
Text Travelling Knowledge and Transtextuality. African Sources in Shakespearean Drama How Spider Obtained the Sky-God's Stories Radin, Paul Princeton University Press* Digital \| United States of America \| 01/01/2015 Ashanti (African people), Tales	Further Info

APPALACHIAN BLACK FIDDLING: HISTORY AND CREATIVITY

Sounds of Muziki wa Injili: Temporal and Spatial Aesthetics of Contemporary - Church Music in Dar Es Salaam, Tanzania. Imani Sanga. 2010. Saarbrucken, Germany: Lap Lambert Academic Publishing. 231 pp. photos, transcriptions, ISBN 978-3-8383-6325-7.

Bemba music. Extract from a lecture by Cajetan Lunsonga (Given at the Mindolo, All-African Music Conference 1965)

Music in Nigeria

Impressions of African Church music

Musical training in Tribal West Africa

Changing times

Music in African churches

Notes on Canon Lury's article

If Someone Does Good to You, You Should Do Good in Return

Why You Should Let Your Kinsman Accompany You When He Asks to Go Along

Why It Is That the Elders Say We Should Not Repeat Sleeping-Mat Confidences

How It Came About That Children Were First Whipped

Why a Girl Should Marry Him to Whom She is Given in Marriage

How It Came About That One Person Does Not Reveal the Origin from Which Another Person Comes

How Contradiction Came to the Ashanti

How Kwaku Ananse Got Aso in Marriage

How It Came About That the Hinder Part of Kwaku Ananse the Spider Became Big, at the Expense of His Head, Which Is Small

How It Came About That We Shall Always See Okra the Cat Lying on a Velvet Cushion, While Okraman the Dog Sleeps Among the Ashes of the Kitchen Fire

How Abosom, the Lesser Gods, Came into the World

How Spider Read the Sky-God's Thoughts

How Diseases Came to the Ashanti

How Spider Obtained the Sky-God's Stories