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Text International Library of African Music (ILAM) IN A WORLD OF THEIR OWN: MEMORY AND IDENTITY IN THE FISHING SONGS OF A MIGRANT EWE COMMUNITY IN GHANAOtchere, Eric DebrahDigital | South Africa | 01/11/2017 English Music, Memory, Anlo (African people), Fanti (African people), Migration, Ewe (African people) |
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Text International Library of African Music (ILAM) Drumming among the Akan and Anlo Ewe of Ghana: an introductionAnku, WillieDigital | South Africa | 30/11/2009 English Anlo (African people), Ewe (African people), Akan (African people) |
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Text International Library of African Music (ILAM) Towards understanding the play of atsimevu AtsiãPantaleoni, HewittDigital | South Africa | 01/08/1972 English Music, Drum, Ewe (African people), Musical meter and rhythm, Dance, Ethnomusicology, Anlo (African people), Musical instruments, Drum music |
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Text International Library of African Music (ILAM) Three principles of timing in Anlo dance drummingPantaleoni, HewittDigital | South Africa | 01/08/1972 English Music, Drum, Ewe (African people), Musical meter and rhythm, Dance, Ethnomusicology, Anlo (African people), Musical instruments, Drum music |
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Text International Library of African Music (ILAM) The social mechanics of good music: a description of dance clubs among the Anlo Ewe-speaking people of GhanaLadzekpo, KoblaDigital | South Africa | 07/07/1971 English Music, Music and dance, Ethnomusicology, Anlo (African people), Societies |
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Text International Library of African Music (ILAM) Musical training in Tribal West AfricaSmith, Edna M.Digital | South Africa | 16/05/1962 English Music, Ashanti (African people), Ethnomusicology, Folklore |
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Text Travelling Knowledge and Trans*textuality. African Sources in Shakespearean Drama If Someone Does Good to You, You Should Do Good in ReturnRadin, PaulPrinceton University Press Digital | United States of America | 01/01/2015 Ashanti (African people), Tales |
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Text Travelling Knowledge and Trans*textuality. African Sources in Shakespearean Drama Why You Should Let Your Kinsman Accompany You When He Asks to Go AlongRadin, PaulPrinceton University Press Digital | United States of America | 01/01/2015 Ashanti (African people), Tales |
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Text Travelling Knowledge and Trans*textuality. African Sources in Shakespearean Drama Why It Is That the Elders Say We Should Not Repeat Sleeping-Mat ConfidencesRadin, PaulPrinceton University Press Digital | United States of America | 01/01/2015 Ashanti (African people), Tales |
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Text Travelling Knowledge and Trans*textuality. African Sources in Shakespearean Drama How It Came About That Children Were First WhippedRadin, PaulPrinceton University Press Digital | United States of America | 01/01/2015 Ashanti (African people), Tales |
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Text Travelling Knowledge and Trans*textuality. African Sources in Shakespearean Drama Why a Girl Should Marry Him to Whom She is Given in MarriageRadin, PaulPrinceton University Press Digital | United States of America | 01/01/2015 Ashanti (African people), Tales |
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Text Travelling Knowledge and Trans*textuality. African Sources in Shakespearean Drama How It Came About That One Person Does Not Reveal the Origin from Which Another Person ComesRadin, PaulPrinceton University Press Digital | United States of America | 01/01/2015 Ashanti (African people), Tales |
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Text Travelling Knowledge and Trans*textuality. African Sources in Shakespearean Drama How Contradiction Came to the AshantiRadin, PaulPrinceton University Press Digital | United States of America | 01/01/2015 Ashanti (African people), Tales |
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Text Travelling Knowledge and Trans*textuality. African Sources in Shakespearean Drama How Kwaku Ananse Got Aso in MarriageRadin, PaulPrinceton University Press Digital | United States of America | 01/01/2015 Ashanti (African people), Tales |
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Text Travelling Knowledge and Trans*textuality. African Sources in Shakespearean Drama How It Came About That the Hinder Part of Kwaku Ananse the Spider Became Big, at the Expense of His Head, Which Is SmallRadin, PaulPrinceton University Press Digital | United States of America | 01/01/2015 Ashanti (African people), Tales |
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Text Travelling Knowledge and Trans*textuality. African Sources in Shakespearean Drama How It Came About That We Shall Always See Okra the Cat Lying on a Velvet Cushion, While Okraman the Dog Sleeps Among the Ashes of the Kitchen FireRadin, PaulPrinceton University Press Digital | United States of America | 01/01/2015 Ashanti (African people), Tales |
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Text Travelling Knowledge and Trans*textuality. African Sources in Shakespearean Drama How Abosom, the Lesser Gods, Came into the WorldRadin, PaulPrinceton University Press Digital | United States of America | 01/01/2015 Ashanti (African people), Tales |
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Text Travelling Knowledge and Trans*textuality. African Sources in Shakespearean Drama How Spider Read the Sky-God's ThoughtsRadin, PaulPrinceton University Press Digital | United States of America | 01/01/2015 Ashanti (African people), Tales |
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Text Travelling Knowledge and Trans*textuality. African Sources in Shakespearean Drama How Diseases Came to the AshantiRadin, PaulPrinceton University Press Digital | United States of America | 01/01/2015 Ashanti (African people), Tales |
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Text Travelling Knowledge and Trans*textuality. African Sources in Shakespearean Drama How Spider Obtained the Sky-God's StoriesRadin, PaulPrinceton University Press Digital | United States of America | 01/01/2015 Ashanti (African people), Tales |
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Bibliography Karakul Circulations: Colonial Economies and the Un_Making of Disciplinary Knowledges in Germany and Namibia Documents from Halle - Haustierkundliche SammlungRenate, SchafbergDigital | Germany | 10/11/2019 Archival materials, Animal breeding, Karakul sheep, Karakul sheep industry, Agriculture |
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Digital Karakul Circulations: Colonial Economies and the Un_Making of Disciplinary Knowledges in Germany and Namibia Alles was irgendwie nützt - All what is somehow usefulSteinheimer, Frank | Zwier, PimDigital | Germany | 08/07/1905 Archival materials, Animal breeding, Agriculture, Karakul sheep, Karakul sheep industry |
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